For Londoners, a trip to the seaside usually means a forty-plus minute drive through heavy traffic and with screaming friends/kids/radios to the Essex coast or Brighton, but from this May, you can be beside the seaside on a rooftop in south London, courtesy of Brixton’s Rooftop Beach. This event brings together sand, sun, buckets, spades, street food and seasonal cocktails for a fun day out without having to book the coach.
The Rooftop Beach, organised by fresh pop-up bar maestros Brixton Rooftop, takes place from May 26 to 29, 2017 over the Bank Holiday weekend. The event is a reincarnation of Brixton’s hugely successful Brixton Beach, a 1980s Miami themed occasion held in 2016 by the same people behind local events South Pole Saloon, Brixton Beach Boulevard and Big Apple Brixton. South Pole Saloon was rated “Best Pop-Up London 2015” by Design My Night. As the clocks turn back and the summer cranks up, the Rooftop Beach will feature bars and music, all on a few tonnes or so of imported sand for that squishy sandy feeling between your toes, minus getting tangled up in seaweed or a lost jellyfish. The beach’s massive interest among people looking for their next eclectic social fix can be gauged from their Facebook page alone, where 5,700 people have planned to attend with another 35,000 interested in visiting, so this promises to be a roadblock
The beach is part of a contemporary pop-up trend of temporary entertainments and establishments that have become a hallmark of city life in London. In the past years, temporary beaches have become a feature on the banks of the River Thames, for instance, drawing in thousands of tourists, office workers and locals looking for an easy way to enjoy the beauty of the coast without having to travel far or book off two weeks from work.
The Brixton Rooftop Beach is tickets only (see sources below) and takes place at Brixton Rooftop’s HQ at Pope’s Road, Brixton, SW9 8JH London, United Kingdom.
Fresh for 2017, Baltimore rapper and lyrical master Sullee J has partnered up with Don Streat and Mastermind DaGenius, two up-and-coming musicians on the local hip-hop scene, to bring out a trappy new single named “Slangin’ Knowledge”.
Taken from the forthcoming EP ‘Donnie Justice’ this track features ‘straight facts over a trap beat’, paying homage to one of the newest and freshest music trends to come out of urban America. Produced by Cracker Jack Productions, the video was shot in Chicago, featuring a quote from and street art of, the legendary US statesman, civil rights campaigner and orator Martin Luther King, as well as scenes from the city’s North Avenue, the scene of riots since the election of President Trump. Other footage was filmed in the premises of Coppin State College.
With deep lyrics and great passion, this new track is one Sullee J and collaborators have put a lot of heart into and it speaks a great message.
If you visit the 800-year-old Hindu temple complex of Angkor Wat in Cambodia, you will be immediately be taken aback by the immense building and intricate carvings of deities and old Khmer kings of was once one of the most powerful and expansive empires in south-east Asia. However take a closer look, and you will notice something very peculiar among the images of soldiers, local wildlife, royalty and apsaras (sacred nymphs).
On one of the walls of the main temple at Ta Prohm, there is a carving of a lizard-like creature, stockily-built and four-legged with a series of small sails running along its back. To many modern observers, it resembles a stegosaurus, a herbivorous dinosaur that lived during the late Jurassic period, some 155 to 150 million years ago in what is now the western United States and Portugal. Eight centuries later, it would be impossible to interview the carver of the main temple wall with its prehistoric embellishment, but this may be a sign that the ancient Khmer Hindus knew of the existence of dinosaurs, which were not fully understood in Europe until the archaeological discovery of dinosaur fossils that began in the 19th century. It is possible that they may have unearthed a dinosaur skeleton while constructing the temple and figured out what kind of dinosaur it was, before carving its supposed likeness into the temple wall of Ta Prohm as a sort of homage.
The story of the Khmer stone dinosaur has been noticed by various scientific, obscure discovery and religious websites, including Hawkfeed, which specialises in Indian and Hindu news stories and features and is the source for this article. The dinosaur has also attracted attention across the religious divide from Biblical proponents.
The Angkor Wat temple complex was built around 1140 CE by the emperor Suryavarman II and dedicated to Lord Vishnu. The Khmer people has previously come into with Indian traders who introduced them to Hinduism. The temple was also built as a show of imperial strength as the Khmer empire was making inroads against the neighbouring Thais. The Ta Prohm temple, where the carving is said to be found, was built by later king Jayavarman VII sometime in the late 12th century. The complex eventually fell into disrepair and was swallowed up by the surrounding jungle until, ironically, French archaeologists rediscovered it and it is now the world’s largest surviving religious monument and a UNESCO World Heritage Site. Yet, at least judging by the mysterious stegosaurus carving, the Khmers may have themselves possessed advanced archaeological knowledge at the time.
While many have cited this as evidence that the ancients were far more advanced in scientific understanding than they are usually given credit for, and some Christian creationists have clung onto the idea that the Angkor Wat stegosaurus is proof that humanity and dinosaurs co-existed, therefore invalidating the theory of evolution, opponents say that in fact the stegosaurus is probably more likely a depiction of a rhinoceros or a chameleon with exaggerated features. A report by the Smithsonian Institute suggests that if viewed head-on, the carving does not appear prehistoric at all. As the report itself states “The head is large and appears to have large ears and a horn. The “plates” along the back more closely resemble leaves, and the sculpture is a better match for a boar or rhinoceros against a leafy background.” Leaves are a common motif as a background design on many of Angkor Wat’s stone carvings.
The Smithsonian also suggests that the carving may be have been added much more recently, perhaps by a visiting film crew or a local artisan with a strange sense of humour. Others have compared the carving to a baby Asian rhino or a local species of mountain lizard which both bear a strong resemblance to the carving. Nevertheless, the temple has become a source of pride for Cambodians, Hindus and humanity the world over, regardless of whether it was a stegosaurus on that wall or not.
London Town is about to get that bit more exciting as a new entertainment park and tourist attraction gets ready to attract film buffs and day trippers to an area brimming with both film history and cultures that draw in film makers from all over the world.
While not exactly in London itself, but on the Swanscombe peninsula in north Kent, about forty or less minutes from the centre of London by train and less by road, the London Paramount is a ‘world-class’ entertainment resort that will be opened by famous Hollywood studios Paramount Pictures very likely in another five years’ time, and will be an ambitious project and a first for the Hollywood studio in the UK.
The resort is being bankrolled by investment firm London Resort Company Holdings (LRCH), who are in the final stages of consultations with the public on the project. LRCH have created a website outlining their plans for the theme park project, along with downloadable materials on the new park and how it will benefit tourism and local communities.
London Paramount will feature an exciting variety of themed rides and attractions for everyone, especially youngsters, families and groups, as well as crazier rides for the adventurous thrill seekers looking for that next adrenaline fix. In the centre of the resort will be the Entertainment City, which will play host to a selection of indoor, covered and open-air experiences as well as a variety of cafes, bars and restaurants. From time to time, the City will also be a venue for live shows and music concerts that will set south-east England ablaze. There will also be a special ‘Paramount and Friends’ carnival taking place every day that will see Paramount characters such as Betty Boop, Shrek, Kung Fu Panda and the stars of Madagascar parade and meet-and-greet fans alongside many spectacular shows featuring some of the Paramount studio‘s most iconic characters.
For the more sedate and relaxed, London Paramount will also host West End-quality theatrical and general productions as well as showing of films and other programmes from Paramount, the BBC and Aardman studios, home of the much-loved plasticine comic duo, Wallace and Gromit. There will also be live comedy acts invited to perform at Paramount’s first ever resort on these shores.
The resort plans to opens its doors in 2020, with new rides and attractions appearing shortly afterwards. Highlights include the Port Plaza, paying homage to Kent’s maritime heritage; the Myths and Legends castle, based on the castle that appears on the film studios logo, designed after its founding in 1911 and the oldest Hollywood logo in existence; the Paramount Port Bay, featuring canals and pleasure barges, and the excitingly jaw-dropping Adventure Isle. Other attractions include a 1,500 seat West End theatre, Europe’s largest indoor water park and specially-created wildlife habitats to promote conservation of the animals and plants that call the river Thames’ banks home.
It is expected to attract up to 40,000 visitors per day with a range of hotels and restaurants being planned close by to cater for them.
The London Paramount project is projected to bring a massive financial boost to the Ebbsfleet and greater north Kent region, with the park and associated creative hubs and shopping centres bringing in 27,000 jobs and revitalising the area and local communities as well as having knock-on effects commercially and creatively for the rest of Kent and London.
Acclaimed rapper and lyrical philosopher Sullee J has returned to the studio to drop a brand new track from his hit mixtape “The Missing Element”. The final track on this intense mixtape, entitled “DREAMS”, features the new talents of fellow rappers YLie and DatBoyBomb on vocal collaboration.
Such an intense project with so many big names is a testament to Sullee J’s great organisational skills and his desire to use hip-hop as a transformative tool to change society and bring out positive vibes for all. The Missing Element is his way of making an often maligned musical genre a force for unity that brings us all together, regardless of background or gender, race or religion.
“Music is about bringing people together”
– Sullee J
DREAMS is now available for viewing on Sullee J’s official channel on YouTube (produced by Spence Mills of Crackerjack Productions) and listening on SoundCloud. Fans can also download the full mixtape ‘The Missing Element’ on Datpiff, the full authority in free to download , from the mixtape’s official release date of 1st June.
“The entire universe shares a common set of elements.” By the grace of good faith and consistency of hard work, I have been more than fortunate to collect over 20 gems to collaborate with in the past year and half. I have compiled a disc “The Missing Element” which I believe is Unity! Whether we are talking music, business, school, or general public, we have a lot of arrogance and pride, that allows people to not want to move together. I truly believe we can change that, and I believe all the artist’s I’ve had a chance to work with on this project also believe that. This is more than music, it’s a message. This is power! Strength in numbers, and truth in collaboration. Look out for this compilation coming out June 1st, along with the final track #DREAMS which we are releasing a music video for! I hope this gives hope to a lot of uprising artist, and even change the mindsets of some that have made a name. We need to utilize our network and be of help to each other. I don’t want to see anyone fall, nor do I like to see people with a dream suffer.”
Music Video – Dreams ft. Sullee, YLie, & DatBoyBomb
The board of trustees for the museum, based at the Schloss Hubertendorf (castle) in Blindenmarkt, a small town around 5 kilometres from Amstetten in central Austria, have organised the first ever such biennale for contemporary arts in Austria in a bid to increase networking and exposure to those engaged in the artistic life. The event will also offer up and coming contemporary artists across Europe and the world a unique and sympathetic chance to showcase their best pieces to a discerning international audience.
The Schloss, which is a large stately home built in 1614 by a local knight, Georg Löffler on old farming lands and a disused mill, was chosen as the Biennale’s venue by MAMAG for its rustic charm, and its relevance as a European hotspot for old and new art and culture, according to the museum’s website.
Details on which artists will be exhibiting are not yet available as the Biennale is still in the very earliest stages of preparation. However the company’s Twitter account has a pinned tweet dated the 11th April, calling on artists to enter submissions for the Biennale this August. Visitors are also being offered free entry during the festival’s opening hours of 11:00 am to 6:00 pm local time.
The MAMAG museum is a privately owned art museum for modern and contemporary art in Lower Austria. Much of the pieces held in situ are by local Pop Art artist Tanja Playner. The museum regularly organises special exhibitions on modern art, photography, scenic views and panoramas, lithographic works, sculptures and mixed media contemporary art.
MAMAG will also be playing host to the International Modern Art Fair of Austria at the Schloss Neuberg in Loeffelbach on the 11-19 July, 2015.
London, a leader among the world’s cities. A population of eight million.
Frantic, busy, popular, cultural, fast, slow. A giant urban sprawl where everything runs at breakneck speed and even life can ill-afford to catch a breath. People go past each other in a flurry of activity, not a glance or a smile. No-one asks about anyone else, their fortunes or their misfortunes. For those with no fortune in life, the loneliness and dismissal is even more profound. Aside from the casual toss of coins or the countless stares and avoided looks, those who take the streets as home feel as invisible and inconsequential as ever.
Out of many voices, one is captured. On a simple piece of nondescript cardboard, an anonymous individual asks for help. Not to buy a sandwich or get twenty pence for a phonecall, but to feel what the luckier ones feel. Eager to sample the delights of one of the city’s upmarket restaurants or for people to wish him a simple ‘happy birthday’, the owner of the mysterious sign pleads for assistance from a known, yet invisible public. To realise an ambition, just a helping hand to make it happen.
Behind the cardboard voices, capturing the less-photographed side of London and making a social stand against poverty, is a new artist and blogger, known only by the pseudonym ‘IMPREINT’. His latest project sees a visual night-time trip to the nooks and crannies beyond where most tourists and Londoners venture and where their eyes pass over. The solitary cardboard sign, with its well-written and urgent message, is part of IMPREINT’s latest photographic project, entitled CUT OFF – an acknowledgement of the invisible, the homeless, the forgotten – and their ambitions and desires. Taken among the city lights under the cover of night amid London’s distinctive red phone boxes and its bright lights, IMPREINT preserves with their camera the wishes of a down-and-out asking to be accepted and noticed by society. We see neither the sign’s creator nor the audience, but the loudness of the sign holder’s dream rings true amid the serenity and harshness of London’s cold grey streets.
CUT OFF is a long-time concern for the artist, who had previously exhibited works under the titles of “The Space” and “The White Frame Collection”, since his career began more than five years ago. Seeing a world where people were just asking and giving, IMPREINT felt something was wrong. He thought that rather than a give-or-take situation which is the norm regarding the homeless, it needed to be more about equality and letting them speak for themselves. The piece of cardboard became a metaphorical message, a symbol of seeking opportunity to change its owner’s condition while doing their best to bring about that change. Work on the CUT OFF project began in January 2015, which saw IMPREINT take to the streets of London with cardboard signs in tow. While more comfortable with paint and found objects, IMPREINT saw no challenge in arming themselves with a smartphone and camera and getting down and personal with London’s pavements to capture the images for CUT OFF.
CUT OFF is a project that works in its simplicity, yet subtly laced with a deep message. In one way, IMPREINT forces us to confront this reality of life without thrusting it into our faces. While popular culture and urban living has forever linked the homeless person with the cardboard sign, IMPREINT’s work challenges us to sit up and take notice of these often ignored signs, set amid the empty domains of those without roofs. By making the homeless the focus of CUT OFF, IMPREINT has reached out to society in its own terms, making art that opens people’s eyes to the harsh world of street living. IMPREINT has done well in a theme where many artists fear to tread, that of making art reflect on the more negative attributes of society. Not simply to show it on a white wall and say ‘ this is it!’ but to stir in the viewer a need to change their outlook, and perhaps, do something about it.
The artist began their work in the UAE in December 2009, with a wish to make art not just something to be sold at auction or admired by gallery visitors, but to make a social impact, benefitting society and not just depicting it. IMPREINT themselves transcends the default role of artist as name and brand, seeing themselves as not just a person, but a concept stretching far beyond the individual. IMPREINT has exhibited at impromptu art galleries and spaces of creativity all over London, as well as self-created international shows in places such as India, Spain and Hungary.
This year, the Chinese New Year will fall on Thursday, February 19, and according to the hallowed annals of the ancient zodiac from which originated the animals and their associated years, we will see the dawn of the Year of the Sheep. The sheep in question is said to be specifically the female Wood Sheep, although some will say it is the Green Sheep. Whichever material or colour the sheep of 2015 will arrive as, the New Year will be a time of new beginnings, family reunions and much excitement.
The sheep is considered a lucky animal, attached to the easy life. An important and ubiquitous creature even today in the rural areas of the world’s most populous nation, the sheep is associated with the elements of earth and wood in the Chinese Five Element theory. Interestingly enough, some users of the Chinese zodiac in fact will state it will soon be the Year of the Goat, another farmyard animal that enjoys nibbling vegetation, although with a range restricted to pastures and mountains in northern China.
The confusion over whether this new lunar year is in honour of the sheep or goat stems from the use of the Mandarin word ‘yang’ to describe this year. The problem is, ‘yang’ can be used to refer to many kinds of herbivorous animals with cloven feet, including sheep, goats, camels and even gazelles, according to Isaac Yue, a professor of Chinese religion and mythology at the University of Hong Kong (interviewed by CNN).
People born in the Year of the Sheep (or Goat or Ram) are said to be tender, kind-hearted, family oriented and endowed with an intelligent nature while being humble and polite. You shouldn’t expect too much boasting bravado or fiery tempers to come out of a Sheep. They are also said to be good with business dealings and can be relied upon to keep the household budget in the black in their everyday economics. They are also aesthetically pleasing with symmetrical faces and figures, if you believe the old legends.
Previous years of the Sheep/Goat this and last century were:-1907, 1919, 1931, 1943, 1955, 1967, 1979, 1991, 2003.
Whichever animal takes pride of place in this year’s fantastic celebrations, I’ll be wishing you a very happy Year of the Sheep or Goat.
Here is our selection of lucky images for the occasion. Enjoy!!!
*The Half-Eaten Mind’s first ever bilingual article!!
*Text written mainly at Informa offices at Maple House, Tottenham Court Rd., Euston. Picture sourcing and editing of article carried out at the HEM home office in Plaistow. Published as per normal location listed above.
The cultural initiative, called Pop Up Screens, will see whatLondonistdescribes as a ‘winter wonderland ofChristmas films‘ will bring a selection of festive films to the 20th Century Theatre inWestbourne Grove, Notting Hill for twelve days, between and including the 12th and 23rd December 2014.
Among the Christmassy highlights to get people into the Yuletide spirit will be classic and vintage films like It’s a Wonderful LifeandMiracle on 34th Streetand a selection of films suitable for children, including the comediesElf and the films of theHome Aloneseries, starringMacaulay Culkinas loveable rogue Kevin. Popular Disney princess animationFrozenwill also put in a very appropriate appearance. For more grown-up visitors to Pop Up Screens, there will be great flicks like Scrooged,Love Actually,GremlinsandBad Santato round up the feast of Hollywood festive films during December.
There will be three screenings at the 2oth Century Theatre per day, meaning there will be plenty of opportunities for shoppers, parents and commuters finishing their working shifts to stop by and unwind. The doors will open an hour before the start of each screening, so no need to rush. There will also be loads of yummy and warmth giving Christmas specialties on hand, such as mulled wine, hot chocolate (with alcohol) and other treats, to help stave off the biting cold.
Tickets for the Pop Up Screens events are from £10 for children and £20 for adults. A list of films, ticket prices and booking details can be found on thePop Up Screens website.
This poster combines alternative art (seemingly influenced by Instagram) combined with the visuals of a vibrant Northern indie music scene, getting right to the core of what music is all about: good times and appreciation of non-mainstream bands.
The poster is for the ‘Twisted Wheel‘ end of year music party being held at IndiePendent café on the High Street, Scunthorpe on the 5th December 2014, featuring indie acts Danny Mahon and the band The North. It was produced by Tacheless Promotions using Fused.